Simone Pinet
Cornell University · Medieval Studies
Active 1993–2025
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About
Simone Pinet is a Professor of Spanish and Medieval Studies at Cornell University, with a PhD from Harvard University. Her teaching and research focus on medieval and early modern Spanish literatures and cultures, spanning from the thirteenth to the sixteenth centuries. Her work emphasizes the relationships between spatiality, economics, poetics, and translation, with particular attention to the long-term connections between medieval and modern periods in contemporary Spain and Latin America. Related areas of interest include visual studies, cartography, and political economy. Her scholarly contributions include the publication of books such as 'Archipelagoes: Insularity and Fiction from Romance to the Novel' (2011), which examines literature and cartography in Spain during the transition from the medieval to the early modern era through the figure of the island, and 'The Task of the Cleric' (2016), which discusses cartography, translation, and political economy in the thirteenth-century Libro de Alexandre. She is currently working on a book analyzing economic metaphors and rhetorical strategies in canonical Iberian works from the thirteenth to the fifteenth centuries. Pinet has been recognized as a fellow of the Society of the Humanities and a John S. Guggenheim Foundation Fellow.
Research topics
- Political Science
Selected publications
The Task of the Cleric: Cartography, Translation, and Economics in Thirteenth-Century Iberia
Project Muse (Johns Hopkins University) · 2016-05-13 · 6 citations
book1st authorCorrespondingComposed in early thirteenth-century Iberia, the Libro de Alexandre was Spain’s first vernacular version of the Romance of Alexander and the first poem in the corpus now known as the mester de clerecía. These learned works, written by clergy and connected with both school and court, were also tools for the articulation of sovereignty in an era of prolonged military and political expansion.In The Task of the Cleric, Simone Pinet considers the composition of the Libro de Alexandre in the context o…
University of Toronto Press eBooks · 2016-01-31 · 5 citations
book1st authorCorrespondingThe Chivalric Romance in the Sixteenth Century
Oxford University Press eBooks · 2015-05-01 · 5 citations
book-chapter1st authorCorrespondingAbstract This chapter deals with the Spanish book of chivalry in its development from French medieval chivalric romance in a series of political developments from the twelfth through the fifteenth centuries that adapts and shapes chivalric materials into the most popular genre of the early modern period, and the Spanish sixteenth-century’s bestseller. It offers an overview of the genre, its origins, and sustained influence in Iberia and beyond, while providing a series of motifs that make the ge…
Diagrammatic Thought in Medieval Literature
The MIT Press eBooks · 2017-11-24 · 2 citations
book-chapter1st authorCorrespondingRumor and noise: notes for a political soundscape in<b><i>mester de clerecía</i></b>
Journal of Medieval Iberian Studies · 2016-05-10 · 2 citations
article1st authorCorrespondingThis article investigates the status of rumor in two works of the mester de clerecía, the Libro de Apolonio and the Libro de Alexandre, as it ties together questions of language, sovereignty, politics, and literature. Considering different views of rumor, from noise to harmony, from lying to eloquence, this article contextualizes different views on rumor in the medieval period to interpret its varied use in these poems. The article investigates first the role of rumor in legal discourse, related…
Frequent coauthors
- 9 shared
Christien Tompkins
Cornell University
- 9 shared
Parisa Have
Yale University
- 9 shared
Sarah Pickman
Yale University
- 9 shared
Emrah Yıldız
Northwestern University
- 9 shared
Abidin Kusno
Cornell University
- 9 shared
Namita Vijay Dharia
Cornell University
- 9 shared
Kirin Narayan
Australian National University
- 9 shared
Anthony Fontes
Cornell University
Awards & honors
- Fellow of the Society of the Humanities (2008-2009)
- John S. Guggenheim Foundation Fellow (2010-2011)
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