About

Robert Krueger is an assistant professor in the Department of Computer Science & Engineering at NYU Tandon School of Engineering. He is a member of the Visualization Imaging and Data Analysis Center (VIDA) at NYU and is affiliated with the Perlmutter Cancer Center at NYU Langone. His research focuses on scalable visualization and visual analytics, with particular emphasis on developing novel visual analysis techniques and interfaces for biomedical imaging and sequencing data, including spatial profiling. His work has applications in disease research, notably cancer. Prior to his current position, he held a joint appointment as a senior research scientist and subgroup lead at the Visual Computing Group at Harvard University and at the Laboratory of Systems Pharmacology at Harvard Medical School. He earned his Ph.D. (Dr. rer. nat.) at the University of Stuttgart, Institute for Visualization and Interactive Systems under Prof. Ertl. Krueger's research interests include visualization, visual analytics, and human-computer interaction, especially in the context of biomedical imaging and data analysis. He is involved in interdisciplinary efforts such as the Visualization and Image Data Management (VIDA) series and the Spatial Biology Association, aiming to advance research and education in biomedical imaging and spatial biology.

Research topics

• Art
• Political Science
• History
• Law
• Ancient history
• Classics
• Biology
• Art history
• Literature
• Aesthetics
• Archaeology
• Philosophy

Selected publications

• Introduction

  Cambridge University Press eBooks · 2023

  1st authorCorresponding
  • Political Science
  • History
  • Literature

  To survey the field of medieval English and European romance is to witness the remarkable elasticity of a narrative genre that came from an irrepressible urge to tell and retell stories in new languages, with shifting themes, adapted into particular forms, and transmuted into new versions for different geographic, social, and political contexts. The term “romance” applies to a vast domain of texts, which were produced throughout Britain, Europe, and the Mediterranean world, as far west as Wales, as far east as Byzantium, from Scotland to Italy and Spain, from the twelfth century to the early modern period and even later.

  PublisherDOI

• Christine de Pizan, “The God of Love’s Letter” and “The Tale of the Rose”

  Medieval Feminist Forum · 2022

  1st authorCorresponding
  • Art
  • Philosophy
  • Art history

  Book review of Christine de Pizan, “The God of Love’s Letter” and “The Tale of the Rose,” edited and translated by Thelma S. Fenster and Christine Reno

  PublisherOA PDFDOI

• Disrupting Medieval Marriage in Anglo-Norman Women’s Writing

  2022-01-01

  other1st authorCorresponding
  PublisherDOI

• La « Cité des familles »

  Classiques Garnier · 2021-01-01

  articleOpen access1st authorCorresponding

  Les familles présentées par Christine dans la Cité des dames ne correspondent que rarement à la famille « parfaite » néo-aristotélicienne dépeinte par Gilles de Rome, qui se compose d’un mari, son épouse, ses enfants, et leurs serviteurs. Bien que la famille « traditionnelle » soit souvent fragmentée ou en crise, les femmes jouent un rôle important comme protectrices d’une famille recomposée, depuis les Amazones au début du livre jusqu’aux saintes dans le troisième volume.

  PublisherDOI

• Christine's Treasure

  Routledge eBooks · 2020

  1st authorCorresponding
  • Art
  • History
  • Archaeology

  Critics have long acknowledged that the Livre des trois vertus occupies a distinct place both within Christine de Pizan's corpus and within late medieval didactic literature. A companion volume to the Cite des dames, the book of advice that Christine dedicated in 1405 to the young Margaret of Burgundy is more practical and more direct than the Cite des dames. The Trois vertus stands out in the way it portrays women's economic lives. Christine de Pizan's Trois vertus expands upon the vocabulary of her predecessors and redefines the scope of female virtue. The economic role that Christine envisages for the "dames et damoiselles du manoir" exceeds active collection and management of traditional revenues. Christine's emphasis on female honor is striking. Christine advocates a system in which women actively manage court and household economies and in which such economic activity is commensurate with their social identities.

  PublisherDOI

• The Book of the Mutability of Fortune by Christine de Pizan

  Medieval Feminist Forum · 2019-05-01

  articleOpen access1st authorCorresponding
  PublisherDOI

• Christine’s Anxious Lessons:

  University of Minnesota Press eBooks · 2018-05-04 · 1 citations

  book-chapter1st authorCorresponding
  PublisherDOI

• Staging Female Authority in Chantilly MS 522: Marguerite de Navarre’s La Coche

  Boydell and Brewer eBooks · 2016-12-31 · 1 citations

  book-chapter1st authorCorresponding
  PublisherDOI

• Antoine de la Sale’s Petit Jehan de Saintré and the Comte de Tressan

  Cahiers de recherches médiévales et humanistes · 2015-01-01

  articleOpen access1st authorCorresponding

  Louis-Élisabeth de la Vergne, comte de Tressan (1715-1783) recast Antoine de La Sale’s Jehan de Saintré (1456) in “miniature” for the Bibliothèque universelle des romans in 1780. Close analysis of the author’s substantial revisions – cuts, explanatory footnotes, character development, narratorial interventions, and explicit reworkings of the plot – shows how Tressan refashioned a medieval courtly fiction to appeal to a broad range of eighteenth-century readers.

  PublisherOA PDFDOI

• ChemInform Abstract: Synthesis of Benzoselenazoles and Benzoselenazolines by Cyclization of 2‐Amino‐benzeneselenol with β‐Dicarbonyl Compounds.

  ChemInform · 2015-08-20

  article

  Abstract 2‐Amino‐benzeneselenol, generated in situ by treatment of substrate (I) with phosphoric acid, reacts with 1,3‐diketones or β‐keto esters to afford benzoselenazoles and benzoselenazolines, respectively.

  PublisherDOI

Frequent coauthors

• Norris J. Lacy

  5 shared

• Jeff Rider

  4 shared

• Thomas Hahn

  Pennsylvania State University

  4 shared

• Sylvia Huot

  4 shared

• F. Regina Psaki

  4 shared

• Sarah Kay

  New York University

  4 shared

• Felicity Riddy

  4 shared

• Sheila E. Fisher

  4 shared