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Philip Auslander

Philip Auslander

· Professor

Georgia Institute of Technology · Literature, Media, and Communication

Active 1980–2023

h-index28
Citations7.3k
Papers17713 last 5y
Funding—

Academic metrics are sourced from OpenAlex and public funding records; values may differ from Google Scholar.

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About

Philip Auslander is a professor at the School of Literature, Media, and Communication at Georgia Tech whose primary research interest lies in performance, particularly as it relates to art, music, media, and technology. He has explored a wide range of aesthetic and cultural performances including theatre, film acting, performance art, music, stand-up comedy, robotic performance, and courtroom procedures. Auslander is the author of ten books and has edited or co-edited two collections. His recent publications include Women Rock! Portraits in Popular Music (2023), a richly illustrated trade book profiling over 50 women musicians, and the third edition of Liveness: Performance in a Mediatized Culture (2023). Other notable works include In Concert: Performing Musical Persona (2021), Reactivations: Essays on Performance and Its Documentation (2018), and Performing Glam Rock: Gender and Theatricality in Popular Music (2006). In addition to his scholarly work on performance, Auslander has contributed art criticism to ArtForum and other publications, and has written catalogue essays for museums and galleries across Europe and the United States. He serves as the editor of The Art Section: An Online Journal of Art and Cultural Commentary. Beyond academia, Auslander is also a working screen actor with credits listed on the Internet Movie Database. He wrote, produced, and acted in the short film "Dr. Blues," which premiered at the 2019 Peachtree Village International Film Festival in…

Research topics

  • Art
  • Humanities
  • Aesthetics
  • Computer Science
  • Sociology
  • Programming language
  • Literature
  • Philosophy
  • Visual arts
  • Art history

Selected publications

  • Liveness

    2022 · 60 citations

    1st authorCorresponding

    Liveness: Performance in a Mediatized Culture addresses what may be the single most important question facing all kinds of performance today. What is the status of live performance in a culture dominated by mass media and digital technologies? Since its first appearance, Philip Auslander’s groundbreaking book has helped to reconfigure a new area of study. Looking at specific instances of live performance such as theatre, music, sport, and courtroom testimony, Liveness offers penetrating insights…

  • Reactivations

    University of Michigan Press eBooks · 2018-01-01 · 35 citations

    book1st authorCorresponding

    Most people agree that witnessing a live performance is not the same as seeing it on screen; however, most of the performances we experience are in recorded forms. Some aver that the recorded form of a performance necessarily distorts it or betrays it, focusing on the relationship between the original event and its recorded versions. By contrast, Reactivations focuses on how the audience experiences the performance, as opposed to its documentation. How does a spectator access and experience a pe…

  • In Concert

    2020 · 33 citations

    1st authorCorresponding

    The conventional way of understanding what musicians do as performers is to treat them as producers of sound; some even argue that it is unnecessary to see musicians in performance as long as one can hear them.  But musical performance, counters Philip Auslander, is also a social interaction between musicians and their audiences, appealing as much to the eye as to the ear. In Concert: Performing Musical Persona he addresses not only the visual means by which musicians engage their audiences…

  • Reactivations: Essays on Performance and Its Documentation

    2018-05-01 · 13 citations

    book1st authorCorresponding
  • Framing Personae in Music Videos

    2019-01-01 · 11 citations

    other1st authorCorresponding

Frequent coauthors

  • Tracy C. Davis

    Northwestern University

    500 shared
  • Kim Marra

    University of Iowa

    500 shared
  • Harry J. Elam

    400 shared
  • Laurence Senelick

    Tufts University

    400 shared
  • Gary M. Williams

    400 shared
  • Russ Vince

    300 shared
  • Jason Garrett

    Stanford University

    200 shared
  • Ellen Hause

    Georgia Institute of Technology

    200 shared

Education

  • Ph.D., Theater and Film

    Cornell University

    1984

Awards & honors

  • Callaway Prize for the Best Book in Theatre or Drama for Liv…

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