
Milette Gaifman
· Andrew Downey Orrick Professor of Classics and History of Art; Department Chair, History of ArtYale University · Department of Classics
Active 2006–2024
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About
Milette Gaifman is the Andrew Downey Orrick Professor of Classics and History of Art at Yale University, where she also serves as Department Chair of the History of Art. She received her B.A. from the Hebrew University of Jerusalem in 1997 and her Ph.D. from Princeton University in 2005. Prior to her appointment at Yale in September 2005, she was the Hanadiv Fellow and Lecturer in Classical Art and Archaeology at Corpus Christi College, Oxford, during 2004–2005. Her scholarly focus is on ancient art and archaeology, with an emphasis on Greek art of the Archaic and Classical periods. Her research interests include the interaction between visual culture and religion, the variety of artistic forms from naturalistic to non-figural, the interactive traits of different artistic media, and the reception of Greek art in later periods. She also explores the historiography of art history and archaeology disciplines. Gaifman is the author of several significant publications, including 'Aniconism in Greek Antiquity' and 'The Art of Libation in Classical Athens,' and is working on a forthcoming book titled 'A Landmark Through Time: On Classifying Greek Art and Architecture.' She has held various academic honors and visiting positions, including at Corpus Christi College, Oxford, the University of Paris Diderot, and the University of Aberdeen. At Yale, she has served as Chair of the Department of History of Art and has previously been Director of Undergraduate and Graduate Studies in the…
Research topics
- Computer Science
- Art history
- Visual arts
- Art
- Philosophy
- Epistemology
Selected publications
The Art of Libation in Classical Athens
Yale University Press eBooks · 2018-01-01 · 87 citations
bookOpen access1st authorCorrespondingReview of The Art of Libation in Classical Athens, Reviewed July 2018 by Courtney Baron, Teaching and Learning Librarian, Oxford College of Emory University, courtney.baron@emory.edu.
The Embodied Object in Classical Antiquity
Research Portal (King's College London) · 2018-06-01 · 35 citations
articleSenior authorAniconism: definitions, examples and comparative perspectives
Religion · 2017-07-03 · 29 citations
articleOpen access1st authorCorrespondingThis introductory essay to this thematic issue on aniconism argues for the value of considering various forms of aniconism side by side. It summarizes briefly the historiography of the terms ‘aniconism’ and ‘aniconic,’ noting that they originate in the work of Johannes Adolph Overbeck, who coined the expressions anikonisch and Anikonismus. It considers current definitions and proposes ‘aniconism’ be used to denote divine presence without a figural image in religious practice, in the visual arts,…
Introduction: From Grecian Urn to Embodied Object
Art History · 2018-06-01 · 25 citations
article1st authorCorrespondingFraming Divine Bodies in Greek Art
Cambridge University Press eBooks · 2017-04-10 · 14 citations
book-chapter1st authorCorrespondingA summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Frequent coauthors
- 9 shared
Verity Platt
Atkins (United States)
- 5 shared
Lillian Lan-ying Tseng
- 5 shared
Michael Squire
- 2 shared
Graham Harman
- 1 shared
Robin Osborne
- 1 shared
Katharine Earnshaw
Birkbeck, University of London
- 1 shared
Miguel Versluys
University of California, Los Angeles
- 1 shared
Nikolaus Dietrich
Awards & honors
- Jane Faggen Dissertation Prize from Princeton University’s D…
- Samuel and Ronnie Heyman Prize for Outstanding Scholarly Pub…
- Gaddis Smith International Book Prize from the MacMillan Cen…
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