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Rice University · Sociology
Active 2001–2006
The music of Canadian-American composer Karim Al-Zand (b.1970) has been called “strong and startlingly lovely” (Boston Globe). His compositions are wide-ranging, from settings of classical Arabic poetry to scores for dance and pieces for young audiences. His works explore connections between music and other arts, and draw inspiration from diverse sources such as 19th century graphic art, fables of the world, folksong and jazz.
JASON MOODY Violin MASTER'S RECITAL Thursday, March 2, 2006 8:00 p.m. Lillian H. Duncan Recital Hall
2006-03-02
2006-11-14
Journal of Music Theory · 2005-10-01 · 6 citations
Research Article| October 01 2005 Improvisation as Continually Juggled Priorities: Julian “CANNONBALL” Adderley's “STRAIGHT, No Chaser” Karim Al-Zand Karim Al-Zand Search for other works by this author on: This Site Google Journal of Music Theory (2005) 49 (2): 209–239. https://doi.org/10.1215/00222909-007 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Karim Al-Zand; Improvisation as Continually Juggled Priorities: Julian “CANNONBALL” Adderley's “STRAIGHT, No Chaser”. Journal of Music Theory 1 October 2005; 49 (2): 209–239. doi: https://doi.org/10.1215/00222909-007 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsJournal of Music Theory Search Advanced Search The text of this article is only available as a PDF. © 2008 by Yale University2008 Article PDF first page preview Close Modal You do not currently have access to this content.
2005-04-04
2004-12-02
2004-03-17
2004-03-15
2003-02-20
2001-10-24
Benjamin Kamins
R. Belcher
Tereza Stanislav
Maureen R. Nelson
Robert H. Brophy
Hospital for Special Surgery
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