José Alaniz
· Interim Chair Autumn 2025 - Winter 2026, Professor, Graduate Program CoordinatorUniversity of Washington · Slavic Languages & Literatures
Active 2003–2025
About
José Alaniz is a Professor in the Department of Slavic Languages & Literatures at the University of Washington, serving as the Graduate Program Coordinator and Interim Chair for the academic year 2025-2026. He earned his Ph.D. from the University of California at Berkeley in 2003. His fields of interest include 20th Century Comics, Comparative Literature, Culture, Disability, Ecocriticism, Film/Cinema, Russian Biography, and related areas. Alaniz has authored significant works such as 'Death, Disability and the Superhero: The Silver Age and Beyond' and 'Komiks: Comic Art in Russia,' contributing to the understanding of comics and visual culture in Slavic contexts. His research often explores themes of disability, representation, and cultural history within Russian and broader Slavic media, including comics and cinema. Alaniz actively teaches courses on Russian literature and culture, and his scholarly activities include reviewing, interviewing, and engaging with contemporary Slavic media and cultural productions.
Research topics
- Computer Science
- History
- Literature
- Political Science
- Art
- Psychoanalysis
- Psychology
- Law
- Philosophy
- Linguistics
Selected publications
American Journal of Transplantation · 2025-08-01
articleMuscle memory: a survivor’s story
Journal of Graphic Novels & Comics · 2025-04-23
article1st authorCorrespondingPost-Soviet Gothic and the Eastern European zombie
Manchester University Press eBooks · 2025-06-16
book-chapter1st authorCorrespondingTreating the zombie figure as a symbol of the ‘corpse of the Soviet world’, the chapter investigates fascinating cases of post-USSR cultural production from Russia, Hungary, and Czechia to demonstrate how Eastern European authors and artists use this framework to position themselves against challenging the Soviet legacy. Using other tropes characteristic of horror, such as witchcraft, demonology, Final Girl, or contagion in the work of, for example, Yegor Abramenko or Josef Bolf, the author reflects upon difficult reworking of the region’s past and present, suggesting that in many cases the relationship with the Soviet heritage occurs through nostalgia. The chapter is composed partly of reviews which appeared in KinoKultura.
University Press of Mississippi eBooks · 2025-06-15 · 1 citations
book1st authorCorrespondingAmerican Journal of Transplantation · 2025-08-01
articleOpen accessSSRN Electronic Journal · 2024-01-01
preprintOpen accessSSRN Electronic Journal · 2023-01-01
preprintOpen access1st authorCorrespondingOkraina and “Oil Ontology” in Post-Soviet Russian Cinema
Berghahn Books · 2023-10-01
book-chapter1st authorCorrespondingChapter 9. Okraina and “Oil Ontology” in Post-Soviet Russian Cinema
Berghahn Books · 2023-10-10
book-chapter1st authorCorrespondingUniversitaire Pers Leuven eBooks · 2023 · 1 citations
Senior authorCorresponding- Computer Science
- Computer Science
Frequent coauthors
- 22 shared
Maxim Marusenkov
Moscow State University
- 11 shared
Mark Lipovetsky
- 11 shared
Manuela Kovalev
Institute of Scientific Information on Social Sciences
- 11 shared
Lisa Ryoko Wakamiya
- 11 shared
Martin Paulsen
University of Bergen
- 11 shared
Nariman Skakov
- 11 shared
Dirk Uffelmann
- 11 shared
Ingunn Lunde
University of Bergen
Awards & honors
- Field research grant, staffer’s play streams, cartoon rememb…
- José Alaniz selected to be recognized at the Latinx Faculty…
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