
David Stuart
VerifiedUniversity of Texas at Austin · Anthropology
Active 1984–2025
About
David Stuart is a professor in the Department of Art and Art History at the University of Texas at Austin, within the College of Liberal Arts. His academic focus encompasses archaeology, art, linguistics, and epigraphy, with particular expertise in Mesoamerica, Mexico, and Central America. His work involves the study and interpretation of ancient Mesoamerican cultures through their art and inscriptions, contributing to the understanding of their history and civilization.
Research topics
- History
- Archaeology
- Ancient history
- Sociology
- Geography
- Political Science
- Physics
- Biology
- Ecology
- Art history
- Anthropology
- Law
Selected publications
2025-06-16
book-chapter1st authorCorrespondingAn early Maya calendar record from San Bartolo, Guatemala
Science Advances · 2022 · 25 citations
1st authorCorresponding- Archaeology
- Ancient history
- Geography
Here, we present evidence for the earliest known calendar notation from the Maya region, found among fragments of painted murals excavated at San Bartolo, Guatemala. On the basis of their sealed contexts in an early architectural phase of the "Las Pinturas" pyramid, we assign these fragments to between 300 and 200 BCE, preceding the other well-known mural chamber of San Bartolo by approximately 150 years. The date record "7 Deer" represents a day in the 260-day divinatory calendar used throughout Mesoamerica and among indigenous Maya communities today. It is presented along with 10 other text fragments that reveal an established writing tradition, multiple scribal hands, and murals combining texts with images from an early ritual complex. The 7 Deer day record represents the earliest securely dated example of the Maya calendar and is important to understanding the development of the 260-day count and associated aspects of Mesoamerican religion and cosmological science.
SEASONAL GODS AND COSMIC RULERS
2021-12-28 · 1 citations
book-chapterUn trono dividido: El origen y los movimientos de la Banca Jeroglífica 1 de Ixtutz, Guatemala
Latin American Antiquity · 2021-10-18 · 2 citations
articleOpen accessAquí presentamos el descubrimiento de una banca jeroglífica esculpida del sitio maya de Ixtutz, Petén, Guatemala. Analizamos la inscripción jeroglífica en la banca y discutimos la historia del objecto en el contexto de su producción, su desmantelamiento y reutilización subsecuente, y la remoción de unas piezas del sitio. Mostramos que dos bloques inscritos de caliza, uno de ellos en una colección privada en Bruselas y el otro en el Los Angeles County Museum of Art, Los Angeles, California, pertenecen al mismo trono, y llamamos para su repatriación voluntaria a Guatemala.
A Teotihuacan complex at the Classic Maya city of Tikal, Guatemala
Antiquity · 2021 · 21 citations
- Archaeology
- Ancient history
- Geography
Lidar reveals the presence of a precinct at the Classic Maya city of Tikal that probably reproduces the Ciudadela and Temple of the Feathered Serpent at the imperial capital of Teotihuacan.
The Wahys of Witchcraft: Sorcery and Political Power among the Classic Maya
University Press of Colorado eBooks · 2020 · 37 citations
1st authorCorresponding- Sociology
- Political Science
- Anthropology
"Off with his head!":A Heretofore Unknown Monument of Tonina, Chiapas
Research at the University of Copenhagen (University of Copenhagen) · 2019-10-08
articleOpen accessProper Names and the Development of Early Writing Systems
The 84th Annual Meeting of the Society for American Archaeology · 2019-01-01
article1st authorCorrespondingEl emperador y el cosmos: nueva mirada a la piedra del sol
Arqueología mexicana · 2018-01-01 · 1 citations
article1st authorCorrespondingLa composicion de la Piedra del Sol pone de relieve algo mas alla de un simple sol. Es una imagen personalizada de dinamismo temporal y solar, que muestra el eje vertical suelo-cenit, proporcionando la idea de centralidad cosmica. Bien pudo haber sido un monumento publico. a la vista de todos, en cualquier momento, y por lo tanto concebido adecuadamente como un momoztli, un sitio cotidiano
Peopling the Classic Maya Court
2018-05-15 · 44 citations
book-chapterSenior authorThis chapter discusses Justin and Barbara Kerr graciously allowed us to do the renderings of royal weaving bones. Maya royalty and nobility must first be viewed according to the problem of power and power relations. Power can be conventionally defined as an absolute term that helps to isolate and refine comparative patterns of coercion and obedience. For all the negative or positive tactical consequences, such contacts with major centers, either through court service or intermarriage, likely operated as the very engine that disseminated Maya courtly practice and tempered a tendency to local idiosyncrasy. That power has to be understood in part through local idioms raises another issue. A difficult problem for understanding the Classic court is the evidence for polygamy. The royal court encompassed many other kinds of people, most, one presumes, in a service or productive capacity that would leave few vestiges in art and writing.
Frequent coauthors
- 41 shared
Guillaume Sierra
- 33 shared
Frédéric Deschaux‐Beaume
- 33 shared
Gilles Fras
Association of French Motorway Companies
- 26 shared
Patrice Peyre
École nationale supérieure d'arts et métiers
- 24 shared
Stephen Houston
John Brown University
- 11 shared
William Saturno
- 10 shared
Karl Taube
- 9 shared
Cyril Bordreuil
Université de Montpellier
Education
- 1995
PhD, Anthropology
Vanderbilt University
- 1989
BA, Art and Archaeology
Princeton University
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